This was my dream on Monday night, i.e. after a day spent at an Art Therapy workshop-event-taster-type of thing:
I was being tormented by someone who was bullying me: it was causing me much pain, fear and resentment. It was also greatly inconvenient (not that you hear many victims of bullying coming out with such a complaint I'm sure...."Stop Bullying Now! It's Inconvenient!") because it was the day before a wedding, and I was to be Best Man. I was trying to out the finishing touches to the speech I'd prepared, and I'd also been asked to do an extra piece because someone was unable to make it to the wedding.
I was happy to do this (despite my fear of public speaking). However when I tried to work on the text of the speech, my tormentor would suddenly appear and start dragging me away and beating the crap out of me. I was scared, he seemed to have power over me, yet somehow - though it wasn't clear in the dream, the implication was that it was through sheer persistence - I managed to get the speeches sufficiently prepared.
It seems the bully didn't want me to be at the wedding. He made threats that there would be more torment if I was there and if I made these speeches. These threats made me feel weak, but I knew I couldn't miss the wedding.
On the day of the wedding, the bully was there, glowering at me, his eyes communicating yet more implicit threats should I dare to speak. I was painfully aware of this and yet enjoying the throng and the sense of occasion, and speak I did.
The speech seemed to give me power: my tormentor hadn't stopped me, despite his threats.
Soon after, he came over and started to cause more trouble with me, hissing words of pure malevolence and threatening more pain. I took a step back and told him loudly to stop: lots of the other wedding guests were all around and they noticed this. In front of them all I confronted him and let everyone know all the efforts he had been making to cause me pain. He began to deny it and shrink away, but I persisted, categorically running through all the things he had done to make life difficult for me. He seemed to be visibly weakening, and I continued to denounce him. It carried on for minutes: by the finish he had no power to reply.
I even got a round of applause from all the other guests.
Funny what an Art Therapy taster-session-workshop-event-type thing can cause your subconscious to tell you, loud and clear, innit?
Wednesday, 26 September 2007
Tuesday, 25 September 2007
Awake
I had an amazing day yesterday. It's not very often I say that about Mondays, especially working Mondays. It wasn't a normal working Monday for me though: I was at an event focusing on Art Therapy. It was a hands-on, participatory event aimed at interested parties such as practitioners in the arts, caring professions, social workers and so on.
I've been to similar events before but not for a long time. I was accompanied by a very very senior person from our organisation who had approached me about it thinking it was likely I would be interested. Oddly, when I first thought about it some weeks ago I wasn't sure. My previous involvement in anything linking the arts to my daytime job had always been with an emphasis on using it as a recreational activity: therapeutic, undeniably, but not Therapy. I'd never considered this as being something that I might be interested in pursuing (not least because it would involve lots more study and expense).
I got a hell of a lot out of this event yesterday though, primarily due to being able to take part in the sessions: which meant being able to draw and to express a number of things as a result. I felt in my element, reconnected to something essential but all-too-often-neglected.
There were a number of other potential positives arising from the day. I'm not going to spell them out here because it would feel incautious, and at the moment any grounds for optimism in this context have to be tempered with a very liberal sprinkling of caution. All the same, it gave me a bit of a boost.
Last night, following on from all this, I had a very telling dream: I'm debating whether I should write and post it, though it won't be this evening.
I've been to similar events before but not for a long time. I was accompanied by a very very senior person from our organisation who had approached me about it thinking it was likely I would be interested. Oddly, when I first thought about it some weeks ago I wasn't sure. My previous involvement in anything linking the arts to my daytime job had always been with an emphasis on using it as a recreational activity: therapeutic, undeniably, but not Therapy. I'd never considered this as being something that I might be interested in pursuing (not least because it would involve lots more study and expense).
I got a hell of a lot out of this event yesterday though, primarily due to being able to take part in the sessions: which meant being able to draw and to express a number of things as a result. I felt in my element, reconnected to something essential but all-too-often-neglected.
There were a number of other potential positives arising from the day. I'm not going to spell them out here because it would feel incautious, and at the moment any grounds for optimism in this context have to be tempered with a very liberal sprinkling of caution. All the same, it gave me a bit of a boost.
Last night, following on from all this, I had a very telling dream: I'm debating whether I should write and post it, though it won't be this evening.
Sunday, 23 September 2007
Landscapes of the mind (or summat)
It'll be interesting (to me at least) to see if I can manage to explain this without getting myself wrapped up in knots, or leaving myself sounding like I need to take a very long lie down in a darkened room. I'm not at all satisfied with how I've written this but I'm posting it all the same.
So, this is all about dreams and real life. About what goes on in my head sometimes, and finding some vivid connections with the outside world. I'll try and tell you what I mean.
My dreams (when I have them) have tended to be very strong visually, and also in terms of having quite a clearly defined sense of place: or to be more accurate, being descriptive of a certain kind of space. So much so that I often get a sense of what I assume might be described as deja vu, say when I enter a room or building, or external space for the first time. I'm definitely not saying it is deja vu though, I'm just trying to put across how strongly evocative the feeling is.
I remember three particular dreams from childhood, and when I recall one of them I always recall the other two. They're primarily visual, and full of a very loaded kind of atmosphere that is difficult to describe, so I know damn well I'll never do them justice with words. In fact, I've done drawing after drawing and painting after painting trying to capture the atmosphere of two of them in different ways (I've not gone as far as the guy in Close Encounters, I've never tried to sculpt them out of mashed potato).
Still, I'll give a very basic, cursory explanation of them. The first one was of a long road, slightly curved, and stretching into the distance in either direction. It was wide enough for a central reservation, on which I and a few other people stood. On the reservation was a curious structure, almost like scaffolding,
with a couple of platforms on it. It was a beautiful late evening in summer, and everyone was in silhouette against the deep golden glow of what seemed like an eternal sunset. The atmosphere seemed to be one of timelessness - the road stretching on forever, the evening not getting any later. A sense of stillness prevailed, although there was constant flux due to cars passing and heading into the distance: this distance, what lay over the horizon, seemed mysterious and tantalizing.
The second dream revisited this from a slightly different perspective - that of me looking upon the scene more as an observer rather than a participant. The two were intricately linked though.
Aged 18 I was doing a lot of photography and stumbled, one summer evening, across a dual carriageway stretching through the countryside near home. Here was that startling effect then, since it immediately linked me with the atmosphere and space of that first dream. The late evening light, the strangely complementary feelings of stillness and motion. I stood there for ages, no doubt looking a bit odd since I remained there on the central reservation for a good while, trying to take in this huge sense of resonance.
A couple of weeks later I was out taking photographs again, and had a friend in tow. I was telling him about all this (and he was wondering what the hell I was on about), and in my enthusiasm I took him to where it had struck me as I just described. As I stood there prattling on, I suddenly felt the same strong connection to the second dream, since here I was acting more as an observer, and from a slightly different angle. Not that I told my mate about this, he thought I was mad enough already.
Now I'm not trying to suggest any element of precognition to the above. I'm sceptical about such things. For me it's more about happening upon the kind of places or events which one has a predisposition towards. Not the best analogy here, but I see it in the same way that you can meet someone and feel like you've known them for years; or the way that a few notes of music can completely change your mood and demand your whole attention, because they connect with something within you.
If they carry any meaning I think it will be within the realms of the purely personal and symbolic, rather than carrying any objective truth.
The third dream was different: it had a similar atmosphere, the golden glow of the late evening sun and what have you, but it was in an entirely different place. It was more of an urban space, a
number of tall, shiny, glass buildings quite close together in a certain formation. Another link is the scaffolding-type structure which was evoked this time in the buildings themselves. As with the other two dreams, it has remained with me since childhood. It too has an atmosphere, something very loaded, which is hard to describe.
A couple of weeks ago I was walking through town on my way home from work, and suddenly found myself looking up at a spot where some building work is in a state of near-completion. Once again things suddenly slotted into place: the space created by this building and the ones which loom nearby, are immediately and vividly evocative, and I now cannot walk there without this other dream coming straight to mind. It's just as startling, and it's odd to have something trigger off a recollection of the workings of my subconscious mind stretching back more than three decades.
Like I say, it may be silly looking for any objective meaning in this, but I'm still bound to wonder about it on a personal or symbolic level. As I wander through there I wonder why this place carries such a resonance, why I've only just become aware of it, and whether I can do anything useful with that information.
So, this is all about dreams and real life. About what goes on in my head sometimes, and finding some vivid connections with the outside world. I'll try and tell you what I mean.
My dreams (when I have them) have tended to be very strong visually, and also in terms of having quite a clearly defined sense of place: or to be more accurate, being descriptive of a certain kind of space. So much so that I often get a sense of what I assume might be described as deja vu, say when I enter a room or building, or external space for the first time. I'm definitely not saying it is deja vu though, I'm just trying to put across how strongly evocative the feeling is.
I remember three particular dreams from childhood, and when I recall one of them I always recall the other two. They're primarily visual, and full of a very loaded kind of atmosphere that is difficult to describe, so I know damn well I'll never do them justice with words. In fact, I've done drawing after drawing and painting after painting trying to capture the atmosphere of two of them in different ways (I've not gone as far as the guy in Close Encounters, I've never tried to sculpt them out of mashed potato).Still, I'll give a very basic, cursory explanation of them. The first one was of a long road, slightly curved, and stretching into the distance in either direction. It was wide enough for a central reservation, on which I and a few other people stood. On the reservation was a curious structure, almost like scaffolding,
with a couple of platforms on it. It was a beautiful late evening in summer, and everyone was in silhouette against the deep golden glow of what seemed like an eternal sunset. The atmosphere seemed to be one of timelessness - the road stretching on forever, the evening not getting any later. A sense of stillness prevailed, although there was constant flux due to cars passing and heading into the distance: this distance, what lay over the horizon, seemed mysterious and tantalizing.The second dream revisited this from a slightly different perspective - that of me looking upon the scene more as an observer rather than a participant. The two were intricately linked though.
Aged 18 I was doing a lot of photography and stumbled, one summer evening, across a dual carriageway stretching through the countryside near home. Here was that startling effect then, since it immediately linked me with the atmosphere and space of that first dream. The late evening light, the strangely complementary feelings of stillness and motion. I stood there for ages, no doubt looking a bit odd since I remained there on the central reservation for a good while, trying to take in this huge sense of resonance.
A couple of weeks later I was out taking photographs again, and had a friend in tow. I was telling him about all this (and he was wondering what the hell I was on about), and in my enthusiasm I took him to where it had struck me as I just described. As I stood there prattling on, I suddenly felt the same strong connection to the second dream, since here I was acting more as an observer, and from a slightly different angle. Not that I told my mate about this, he thought I was mad enough already.
Now I'm not trying to suggest any element of precognition to the above. I'm sceptical about such things. For me it's more about happening upon the kind of places or events which one has a predisposition towards. Not the best analogy here, but I see it in the same way that you can meet someone and feel like you've known them for years; or the way that a few notes of music can completely change your mood and demand your whole attention, because they connect with something within you.
If they carry any meaning I think it will be within the realms of the purely personal and symbolic, rather than carrying any objective truth.
The third dream was different: it had a similar atmosphere, the golden glow of the late evening sun and what have you, but it was in an entirely different place. It was more of an urban space, a
number of tall, shiny, glass buildings quite close together in a certain formation. Another link is the scaffolding-type structure which was evoked this time in the buildings themselves. As with the other two dreams, it has remained with me since childhood. It too has an atmosphere, something very loaded, which is hard to describe.A couple of weeks ago I was walking through town on my way home from work, and suddenly found myself looking up at a spot where some building work is in a state of near-completion. Once again things suddenly slotted into place: the space created by this building and the ones which loom nearby, are immediately and vividly evocative, and I now cannot walk there without this other dream coming straight to mind. It's just as startling, and it's odd to have something trigger off a recollection of the workings of my subconscious mind stretching back more than three decades.
Like I say, it may be silly looking for any objective meaning in this, but I'm still bound to wonder about it on a personal or symbolic level. As I wander through there I wonder why this place carries such a resonance, why I've only just become aware of it, and whether I can do anything useful with that information.
Bathroom
Friday, 21 September 2007
Pressing problems for trousers
Thankfully the preoccupations that have plagued me this week are fading into the background, at least for now: the very fact of publishing the previous post - cryptic as it was - helped a little, as did actually talking to someone: and, not least, being a little easier on myself.
Besides there are far more pressing problems to deal with: The Staff Party.
This takes place tonight, and I'm wondering whether to go or not. Aside from the whole concept of office parties, the first question I'm asking myself is, do I really want to spend any more time than is absolutely necessary at my workplace? Given that I'm inclined to paraphrase (or steal from) dj kirkby and rename it The Chateau of Despair, do I really want to spend my Friday evening there?
Here are a few pros and cons:
There's free food and booze (though apart from a couple of exceptions I've not really been bothered about drink lately).
Regardless of my feelings about work itself, I do like many of the staff, overall they're a good bunch (regardless of their feelings about me).
I'm still shaking off a few residual symptoms of the bug I had earlier this week.
I don't really want to get pissed in front of my work colleagues. I'd be happier acting(?) like a boring old fart. Plus if I do drink more than I should, I might start speaking The Voice Of Truth and find myself treading The Path To A P45 (however long it takes, I'd much rather leave work than be sacked). Chances are if I did get pissed I'd speak unintelligible rubbish, but the possibility still remains.
I've got so many other wild and amazing things I could be doing (well, that's technically true, if not especially likely).
Advice is welcome, though by the time anyone reads this, the probability is I'll have already set myself on a course of action (or inaction). I'll report back. And who knows, before the month is out I might even have delivered on my threat to post my "Landscapes of the mind" scribblings.
Besides there are far more pressing problems to deal with: The Staff Party.
This takes place tonight, and I'm wondering whether to go or not. Aside from the whole concept of office parties, the first question I'm asking myself is, do I really want to spend any more time than is absolutely necessary at my workplace? Given that I'm inclined to paraphrase (or steal from) dj kirkby and rename it The Chateau of Despair, do I really want to spend my Friday evening there?
Here are a few pros and cons:
There's free food and booze (though apart from a couple of exceptions I've not really been bothered about drink lately).
Regardless of my feelings about work itself, I do like many of the staff, overall they're a good bunch (regardless of their feelings about me).
I'm still shaking off a few residual symptoms of the bug I had earlier this week.
I don't really want to get pissed in front of my work colleagues. I'd be happier acting(?) like a boring old fart. Plus if I do drink more than I should, I might start speaking The Voice Of Truth and find myself treading The Path To A P45 (however long it takes, I'd much rather leave work than be sacked). Chances are if I did get pissed I'd speak unintelligible rubbish, but the possibility still remains.
I've got so many other wild and amazing things I could be doing (well, that's technically true, if not especially likely).
Advice is welcome, though by the time anyone reads this, the probability is I'll have already set myself on a course of action (or inaction). I'll report back. And who knows, before the month is out I might even have delivered on my threat to post my "Landscapes of the mind" scribblings.
Thursday, 20 September 2007
Navel Gazing
This week, I've not felt very eloquent.
I've been very insular and unsociable (extended conversations with representatives from British Gas don't count).
I've felt very frustrated: necessary change feels as distant (and challenging) a prospect as it ever did.
Old habits and patterns of behaviour are as ingrained as they ever were.
I've been very insular and unsociable (extended conversations with representatives from British Gas don't count).
I've felt very frustrated: necessary change feels as distant (and challenging) a prospect as it ever did.
Old habits and patterns of behaviour are as ingrained as they ever were.
Monday, 17 September 2007
Something calming (but not in tablet form)
I've just spent half the evening wrapping myself in knots (or notes) trying to write a post which has so far proved beyond my capabilities. Weird stuff about dreams, the landscapes of the mind and how they resonate with external experiences and events - you know exactly what I'm talking about don't you.
Sod it, I've given up on that for tonight at least: I might have been a bit too ambitious. I may return to it though (consider that a threat as much as a promise).
Instead, for my benefit more than anything, here's a nice calming photograph (with only a hint of disquiet).
Sod it, I've given up on that for tonight at least: I might have been a bit too ambitious. I may return to it though (consider that a threat as much as a promise).
Instead, for my benefit more than anything, here's a nice calming photograph (with only a hint of disquiet).
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